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The rise of international series - Squid Game

The rise of international series - Squid Game

International series are increasingly in demand. How has this trend developed and which series have contributed to it? Time to investigate.
In fact, you can make a series about anything. There are countless genres to choose from. The beautiful and sometimes tragic thing about events is that they can happen to anyone. Translating events to the small screen can resonate with any random viewer. Topics are addressed that are universal. This means language barriers play no role at all. It's time to highlight series that have contributed to this. In this second edition, I'm talking about a South Korean series that shook the world with a deadly children's game. It's about Squid Game.

When Squid Game appeared on Netflix in September 2021, no one could have predicted that a South Korean series about deadly children's games would become a worldwide cultural phenomenon. Within weeks, it was the most-watched series on the platform, with millions of viewers in more than 90 countries. But what makes Squid Game so powerful, and why did it become such a global success?

Squid Game

The series follows Seong Gi-hun, a divorced father in debt, who, along with 455 other participants, is invited to participate in a mysterious game. The participants literally put their lives on the line for a multi-million-dollar prize. Each game is based on traditional Korean children's games but with a deadly twist. What starts as a surreal spectacle quickly turns into a raw reflection on inequality, greed, and human morality.

What sets Squid Game apart is a universal theme wrapped in a local context. The series poses questions that are relevant everywhere in the world: How far would you go for money? What does solidarity mean when your life is at stake? And who actually decides the rules of the game, literally and figuratively?

Moreover, the characters are remarkably layered. From the naive Gi-hun to the ruthless Sang-woo, from the mysterious Front Man to the North Korean defector Kang Sae-byeok. Each character represents a different facet of society. And just like in Hollywood productions, the actors, such as Lee Jung-Jae and Jung Ho-yeon, are charismatic, expressive, and full of nuance. Their performances contribute to the emotional impact of the series.

Squid Game

Visually, Squid Game is a masterpiece. The colorful sets, geometric shapes, and contrasting costumes create an atmosphere that is both childlike and disturbing. The direction by Hwang Dong-hyuk seamlessly combines tension, symbolism, and social critique.

The success of Squid Game proves that international series are no longer a niche. Thanks to streaming platforms, stories from Seoul, Madrid, or Berlin can resonate just as powerfully as those from Los Angeles. And sometimes even more so, because they offer us a fresh perspective on universal themes.

In a world that is increasingly connected, Squid Game shows that the most compelling stories sometimes come from unexpected corners. And that a children's game, played for life and death, can teach us more about society than many political narratives.
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Comments (5)

Futsudo
Thursday 20 November, 15:32
What a beautiful and insightful analysis of Squid Game and the rise of international series. You hit the nail on the head of why this series has become such a global phenomenon. The story is deeply rooted in a specific culture, but the themes are so universal that everyone can relate to them. Inequality, survival, moral choices… these are topics that extend beyond language and national borders.
4Translated from Dutch.
BlackBiker
Sunday 23 November, 14:08
Good analysis, but unfortunately, I don't entirely agree with it. Yes, those themes were definitely present and were blatantly obvious. Not exactly subtle. And I thought the series itself was a complete rip-off of the previously released Japanese Alice in Borderland.

Korean acting is an acquired taste I don't have. I usually find it all rather flat and overdone. Definitely not Emmy-worthy. But I'm probably alone in that.
I've said it before, but I've never understood all the hype surrounding this show. I actually liked the first season. The second season was a rehash, and I didn't even finish the third.

There are definitely Korean series I enjoyed, though. The Silent Sea and Parasyte: The Grey, for example. But I didn't buy into the hype.
2Translated from Dutch.
Futsudo
Sunday 23 November, 15:19
My point, however, wasn't so much about the quality of Squid Game itself, because, honestly, I didn't exactly think it was a masterpiece myself and certainly not my cup of tea. What matters to me is how a series like this could generate such unprecedented worldwide hype.

Whether you find it good, mediocre, or grossly overblown, it's hard to deny that the series has become a cultural phenomenon in such a short time. And that's what I find fascinating. It shows how international series can break through these days because they touch on something thematically relatable worldwide.

So, apart from personal taste, which may and should differ, Squid Game remains a striking example of how a local production can suddenly have the whole world in its grip.
2Translated from Dutch.
BlackBiker
Sunday 23 November, 15:56
And that last point, Richard, is something I can't and won't deny. It's truly incredible how this has taken the world by storm. This series really took off.
Maybe it was the right tone at the right time. You can never be entirely sure. Hats off to them for pulling it off. But it affected me a lot less ;-)
2Translated from Dutch.
rotthierpeter
Sunday 23 November, 19:41
Squid Game & La Casa de Papel from the previous installment of this column have one thing in common: Netflix, the world's largest streaming service. And then word of mouth and any advertising follow. One series goes viral instantly, while another might need a bit more time to break through. In the past, it sometimes happened that a foreign series did well here, but those were usually German or French series. But perhaps this column should have started with The Bridge (and its entire series of Scandinavian sequels), which have helped people become less wary of series in languages they're not familiar with.
2Translated from Dutch.
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